Solutions · Creative production
McLeuker AI shoots the campaign without booking a shoot: campaign images, on-model views, a short film, boards, a lookbook and narration from one brief, on one palette.
- Made for
- Brand, marketing and content teams that need campaign assets
- You get
- Campaign images, on-model views, films, boards, lookbooks and narration
9
McLeuker AI studios that make the assets
4
AI specialists who direct them
6
expert playbooks it follows
The job, before and after
Without it
The launch goes out on last season's imagery, or slips until the studio has a date.
With McLeuker AI
Shoot the campaign without booking a shoot.
Every campaign, every drop, every market appointment.
Why it is hard
A launch needs imagery for every channel, every colourway and every market, and a shoot delivers a handful of hero frames on one day. The gap gets filled with whatever is left over, which is how one season ends up looking like four different brands.
How McLeuker AI helps
How McLeuker AI replaces the shoot, studio by studio.
9 studios work on this. Choose one to see how it helps.
Product Campaign
How it helps you
Four ad-ready images of a product, in the scenes and the grade you choose.
What you get
Your product → 4 ad-ready images
Create studios: Write a brief, get finished creative - imagery, boards, books, film.
Where the volume comes from
Forty assets, and not forty shoot days.
Every card is a rendered still and the art direction that produced it — scene, lighting, camera, grade, energy. Pick one and it is tailored to your own subject; or write your own and ignore the library entirely.
UGC & Creator0.5x Ultra-Wide Fit Check
An ultra-wide 0.5x phone fit check: exaggerated fisheye perspective shot from arm's length or near ground level, limbs stretched toward the edges of the frame, horizon bowed, ironic glamour dialled all the way up. The hero product is worn or held as the centrepiece the distortion swings around. Harsh direct daylight or blunt on-camera flash, slightly blown highlights, punchy contrast, streetwear attitude in the pose — squatting low, arm extended, deadpan or mid-laugh. Concrete, kerbs and sky fill the warped background. The image should read instantly as a phone ultra-wide selfie, never a professional camera.
UGC & Creator5-to-9 After-Work Routine
The 5-to-9 after-work wind-down: a warm apartment scene at dusk — golden lamp glow meeting the last blue window light — with the hero product featured as part of the evening reset, beside a lit candle, an open planner and a folded throw. Mid-shot lifestyle framing, amber cosy grade, soft shadows and inviting textures: knit, wood, ceramic. A figure may appear soft-focus in the background changing gears from work to rest. The energy is soft productivity — the evening routine as a small luxury, the product woven naturally into the ritual.
UGC & CreatorShare Your Camera Roll
A share-your-camera-roll screen grid: a three-by-four thumbnail grid styled like a phone gallery, every cell a different unfiltered moment with the hero product threading through them — worn on a walk, on a car seat, in a mirror, half-cropped at a dinner table. Mixed snapshot lighting cell to cell, raw unedited grade with authentic grain and occasional blur, tight uniform grid spacing that reads instantly as a phone interface. The charm is repetition and candour: the product keeps appearing because it is genuinely always there. Behind-the-scenes honesty over polish.
UGC & CreatorCarousel GRWM
One slide of a swipeable get-ready-with-me carousel: a clean slide-card composition with generous negative space for a slide number, the routine shown as curated stills — options laid out neatly on a bed or tabletop with the hero product placed at the decisive centre of the arrangement as the pick of the day. Bright even daylight, crisp top-down or straight-on framing, clean pastel-leaning grade, everything tidy but personal: a corner of duvet, a coffee cup, a phone edge intruding. The energy is organised anticipation — the moment before the final look comes together, art-directed like a story-slide template.
UGC & CreatorDay in My Life
A day-in-my-life vlog frame: a wide environmental shot with the subject small-in-frame doing something perfectly ordinary — ordering at a cafe counter, crossing a courtyard, waiting at a light — dressed in a full look with the hero product worn or carried in plain view. Natural unforced daylight, documentary framing with real depth and passers-by softly blurred, true-to-life grade. No eye contact with the camera; the subject is being observed, not presenting. The mood is unbothered narrator energy — an unremarkable moment made watchable by the styling.
UGC & CreatorElevator Mirror Selfie
A going-out elevator mirror selfie: a brushed-steel elevator interior, warm-cool mix of overhead panel light and button-glow, a dressed-up figure shot into the elevator mirror with phone raised. The hero product is worn or carried as the night-out anchor of the look. Vertical framing with a slight tilt, reflections doubling on the metal walls, gentle grain and a whisper of motion softness that says the doors are about to open. Neutral grade with cool steel tones against warm skin, confident pre-arrival energy — the last look before the night starts.
UGC & CreatorExpose Your Addiction
The expose-your-addiction collection spread: an entire personal collection of one beloved thing laid out en masse in a proud grid across a bedroom floor or shelf wall, with the hero product placed at the centre as the newest, most-loved acquisition. Even bright lighting across the whole array, wide top-down or straight-on framing, saturated confident grade, obsessive alignment with just enough irregularity to feel human. Scale is both the joke and the flex — dozens of variations of one obsession. Confession-humour energy: yes, there is a problem, and no, it is not stopping.
UGC & CreatorIf It Falls in the Bag, I Have to Buy It
The falls-in-the-bag game frozen at its decisive moment: the hero product suspended mid-air, motion-frozen, dropping toward a wide-open paper shopping bag held below, boutique shelving softly blurred behind. Bright clean retail lighting, a crisp high-shutter freeze with the product tack-sharp and rotating slightly, commercial-clean grade, a hint of delighted hands at the frame edge. The composition centres the fall line so gravity reads instantly. The energy is retail-impulse comedy — the rules are the rules: if it lands, it is coming home.
UGC & CreatorFit Check / OOTD
A daily fit-check frame: a head-to-toe figure in a confident stance on a sidewalk or in a hallway, one foot popped or caught mid-step, chin slightly down, main-character energy. The hero product is worn or carried as the anchor of the look, framed so the eye lands on it first. Natural daylight or warm corridor light, full-body vertical framing from a slight low angle that lengthens the silhouette, true-to-life colour grade with honest skin and fabric texture, phone-shot realism. The background stays everyday — parked cars, a doorway, concrete — so the styling does the talking. The mood is casual authority: this is what we are wearing today.
UGC & CreatorGirl Grip
The girl-grip frame: one hand improbably clutching an entire life at once — a phone, keys, an iced drink, folded mail — with the hero product locked visibly into the stack as the most important thing carried. Hard bright daylight, tight close-up on the loaded hand filling the frame, punchy saturated grade, sharp focus on knuckles and product with a sidewalk or car door blurring behind. Slight motion energy, caught mid-stride. The mood is chaotic competence — everything handled, nothing dropped, and the product front and centre of the juggle.
UGC & CreatorGreen-Screen Flatlay GRWM
The green-screen flatlay GRWM composite: a presenter framed waist-up in one corner of the image, pointing back at a giant projected flatlay behind them — the day's pieces arranged flat with the hero product largest and most central in the layout. Flat even lighting on both layers so the composite reads clean, bright cheerful grade, the flatlay styled on a plain background like a screen-shared photo. Explainer-video energy: mid-gesture, mid-sentence, an enthusiastic breakdown of why each piece works, with the product as the thesis of the look.
UGC & CreatorGRWM (Get Ready With Me)
A get-ready-with-me frame captured mid-routine: a creator at a bedroom vanity mirror, look half-finished, reaching for the hero product as the next step — the product held up in frame, clearly the star of the routine. Soft window daylight blended with warm vanity-bulb glow, phone-camera realism with a slight handheld angle, waist-up framing that catches both the creator and their mirror reflection. A lived-in tabletop of brushes, small trays and a propped phone grounds the intimacy. Natural true-to-skin colour grade, cosy first-person best-friend energy, candid mid-action expression — the moment feels narrated, not posed.
158 more directions, each with its own brief — open the concept library.
Why one brief beats forty prompts
Three things a shoot has that a prompt does not.
A photoshoot answers one question at a time and costs a day per answer. This answers them in parallel - the same product on four sets, the same garment on six models, the same season as a book and a board - and every version is editable rather than reshot. What makes that a campaign rather than a pile of images is consistency, decided once rather than forty times.
- 01
One palette
Every frame is graded to the same colour story, so a category page does not read as four different shoots stitched together.
The most visible failure of prompt-by-prompt generation, and the hardest to fix afterwards.
- 02
One hand
The same lens, the same light and the same distance to subject across the set - the properties a reader registers as a photographer rather than as a setting.
Consistency of treatment is what makes a set read as authored.
- 03
One anchor
The product itself stays the product: the same garment, the same colourway, the same details, rather than a plausible variation of it in every frame.
This is the one a customer notices, because they are about to buy the thing in the picture.
The shoot
One hero booked, forty assets wanted.
The shoot is booked for one hero and the calendar wants forty assets.
Every extra crop and channel cutdown is another day, so the campaign is scoped to the budget, not the season.
What we do
One brief becomes a season of frames on one palette, hand and anchor - one shoot, not forty prompts.
- Collection visual memory
- Licensed photography and video
- Search by image
The deck is due and the assets are in six places.
Assembling the pack is not creative work, but it takes creative time, and it is the part that slips.
What we do
The lookbook, deck or pack comes out as a file you can send, not a folder you still have to build.
- Print-quality PDF
- Editable deck
- Channel-ready content pack
Generating what a library already has.
Rendering a real material or place costs money and reads generic; a cleared photograph of it is free.
What we do
What exists is sourced; only what no library holds is generated. The budget goes where it is needed.
- Licensed photography and video
- Search by image
- Collection visual memory
The shoot that isn't one
What replaces the call sheet.
Art direction and production are different jobs, and a campaign needs both to agree.
Product Campaign /Virtual Try-On /Whiteboard Design /Fashion Collection /Fashion Lookbook /Moodboard /Image /Video /Audio
Run by Creative Director, Visual Producer, Fashion Designer, Visual Merchandiser, reaching for Collection visual memory, Licensed photography and video, Print-quality PDF, Editable deck, Search by image, Channel-ready content pack.
Built for/Design & product, Brand & marketing
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Try Creative Production AI
Bring a sentence and leave with the campaign, the lookbook or the fitting.